An experience as if peering into a far-off ancient sea, expressed as a metaphor for the spirit, the universe, and other spaces. Ancient fish a coelacanth continues to swim freely as if it has random intentions.
The latest video game technology, such as real-time rendering and game AI, is used to express the scene, so that the exact same scene is never repeated twice.
Showcases
Irreplaceable－Earth, Landscape, Environment | Japan | 2024
YAU TEN ’23 | Japan | 2023
GEISAI#22 & Classic | Japan | 2023
Flat River Gallery “Masato Inagaki｜daisy* : art and technology” | Japan | 2022-2023
DESIGNART TOKYO 2020：The daisy* world. | Japan | 2020
DEFRAGMENT –DHGS the DAY- | Japan | 2020
The 98th Seibu & Sogo Takanawa-kai | Japan | 2019
Credits open Credits
daisy* | Masato Inagaki
Project manager
Shuji Ota
Modeling supervisor
Satoshi HanawaCharacter modeling
Fumiaki HirachiRigging
Yoko YamashitaAnimation supervisor
Yusuke SekineAnimator
Kasumi Arai
Lead programmer
Masaki KatsukawaProgrammer
Shunsuke Uemoto｜Jaime Hurtado-LopezSupport
Matthieu Claude Tessier
Picture frame production
Asaofutsuundo
ancient aquarium (6-Screen Installation)
In the exhibition “Irreplaceable－Earth, Landscape, Environment (2024)” at the Karuizawa New Art Museum, six large monitors were arranged side by side to present the work.
ancient aquarium 8K
At “DESIGNART TOKYO 2020: The daisy* world” exhibited at Shibuya Hikarie 8/, we utilized four large monitors to depict real-time graphics in 8K resolution.